Aesop Rock has probably been one of our best rappers working and churning music out today. And now with both Skelethon and The Impossible Kid, he has become one of our best producers working today, introducing heavily industrial sound and outright math-rock-like time signatures to hip hop. Much has been made about his vocabulary, his heavily intricate lyricism and his amazing flow. But his musical compositions are just as delightfully driving and out of the world as his lyrics.
The Impossible Kid is that rare album that manages to break away from an artist’s general style while still being tangibly and uniquely his. Aes’ previous work was often outright cryptic at times. Not unlike Death Grips’ MC Ride, Aesop delighted in dropping hints about his life and articulating his own pain. There were occasions when he was willing to bare it out (One Of Four, which, should be pointed out, is a secret track) but once Skelethon arrived and Aesop was producing his own beats, something clicked and Aes decided to be outright open about his life as a depressed and reclusive rapper.