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Daredevil never dares and barely devils.

It’s amazing what a year can do to your opinions. Stories you love become, in hindsight, bloated and ridden with boring passages. Stories you dislike at first sight reveal their […]

It’s amazing what a year can do to your opinions. Stories you love become, in hindsight, bloated and ridden with boring passages. Stories you dislike at first sight reveal their charms. Stories you are indifferent about become filled with meaning as you reconsider what the story tried to do in the first place. In Daredevil’s case, a season that packed quite a punch for me on my original view, felt increasingly stale as I started to think about its treatment of its diverse cast and its anticlimactic ending. Of course, these individual flaws don’t necessarily eliminate my enjoyment of the show and the way it handled things like Matt Murdock’s origin by showcasing his relationships with Jack (his father), Foggy (his best friend/partner in law) and Karen Page (their legal assistant) was thrilling and Charlie Cox’s performance demonstrates exactly what makes Daredevil more than just “Spider-Man meets Batman”.

Of course, it should have been just a matter of emphasizing these elements and phasing out the more hyper-masculine nonsense as well as the pervasive sense that the Asians members of the cast were just there to make direct reference to the worst, most orientalist aspects of the comics. Daredevil’s supposed concerns during its first seasons were about how crime fighting affected life in a melting pot like New York as people from all walks of life were outright steamrolled by criminals masquerading as elite businessmen. There’s a lot of power to this idea and Daredevil was at its best when it explored it, alongside Matt’s relationship to his friends, family and God.

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Bloodborne Shows The Breadth of Cosmic Horror

Anybody who knows me will probably have surmised that Bloodborne is a game tailor-made for me. After all, I love the works of H.P. Lovecraft, I love games with strong […]
huntersdream

Welcome good hunter, you’ll be here awhile

Anybody who knows me will probably have surmised that Bloodborne is a game tailor-made for me. After all, I love the works of H.P. Lovecraft, I love games with strong atmosphere, I love subtle storytelling, and of course I also love to swear at screen and throw my controller in frustration a lot.

I’m kidding (a bit) because Bloodborne ended up being the most even handed game I may have ever played. It’s such a tightly constructed game that it began to affect my ability to enjoy other games. Witcher 3 is a sprawling epic RPG and a labor of love but now I find its clunky controls and repetitive combat jarring. Platinum Games’ Transformers: Devastation fares a bit better with its tighter controls but as a result I found myself instinctively going back to Bloodborne’s control scheme and wondering why I was dodging instead of attacking. Bloodborne is a game that infiltrates your headspace in such a way that you end up viewing other games through that lens.

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American Tragedy

  Most stories based in real life events often revel in finding the inner tragedy or comedy of real life and exposing it. They convert a real life event’s actors […]

 

Most stories based in real life events often revel in finding the inner tragedy or comedy of real life and exposing it. They convert a real life event’s actors into characters, with clear goals, convictions and personalities. Sometimes those are not very true to the people they’re reflecting. But often, they are true to the story and the lives they are reflecting. That’s the genius of American Crime Story; a show that is often willing to speculate on the personal lives of people whose lives were very well documented, but doesn’t use that speculation to demean or insult those people. Instead it tries to empathize and understand them.

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Kanye West: Millennial Hero

Kanye is probably the biggest musician of our time, for better and for worse, because he has truly become one with his art. His life, tweets and struggles are as […]

Kanye is probably the biggest musician of our time, for better and for worse, because he has truly become one with his art. His life, tweets and struggles are as important as the lyrics, the musical landscapes and the concerts to appreciate or depreciate the man. And the thing about him is that he never reduces himself to be a reliable or known property. A huge aspect of Kanye’s place in our culture is that we never really can tell how self-aware he is. But it doesn’t matter. What’s great about Kanye is that he’s so damn earnest.

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In Season 2 Galavant Comes Into Its Own

  It’s funny how much a series can change in a season. When Galavant first came out, it was a filler show placed in the gap Once Upon A Time […]

 

It’s funny how much a series can change in a season. When Galavant first came out, it was a filler show placed in the gap Once Upon A Time left that month and outside of some golden musical numbers, the show seemed to have been given about that amount of thought. It seemed to be directly paralleling itself to The Princess Bride and Monty Python and The Holy Grail by parodying a story so rote I’m not sure it ever actually existed. Even so, I found myself drawn to it. It was amusing enough and Alan Menken’s score was darn good, especially the opening number (which season 2’s opening song bitter points out did not win an Emmy) and there seemed to be some real gold there. The ending for the first season struck me as particularly bold, daring ABC to give it a second season while also acknowledging the unlikelihood of that.

It’s so unlikely that the first song of the second season seems to be simply bragging about the fact that the show was renewed at all. One of the fascinating things about this second season was how deliberately it broke up the structure of the first season. The hero Galavant (Joshua Sasse) was separated from his squire Sid (Luke Youngblood) and love interest Isabella(Karen David) to be trapped with the former evil king Richard(Timothy Odmundson) on a pirate ship, Sid is stuck attending to evil queen Madalena(Mallory Jansen) and her bodyguard/fellow king Gareth (Vinnie Jones) Isabella is trapped in her home kingdom to be betrothed to a ten-year-old. It’s such a defiance of the previous season that this season almost feels like a reinvention of the show. The new Galavant feels less like a parody of some adventure story that doesn’t exist and more like a low-budget adventure show that happens to be really funny.

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RahXephon 4-6

This is part of a series of essays on RahXephon. This particular essay covers episodes 1-3. I do not summarize plot on these essays as they are meant to be […]

This is part of a series of essays on RahXephon. This particular essay covers episodes 1-3. I do not summarize plot on these essays as they are meant to be running commentary, meaning that if you are interested in penetrating these rambles and rants, I strongly suggest you watch the show along with the essays.

A hot take for you: RahXephon is one of the most heartrendingly relevant shows to today’s dangerous situation created by a hotmi of terrorism and American intervention. Consider: Ayato is a kid in high school who is abducted from his home to fight the very same The rationale behind it is that they’re not human and Ayato reluctantly joins them because he thinks of himself as human. But are they not his home and country?

And in exchange, they insert him in a city where his humanity is constantly (and turns out, reasonably) questioned. His value as a person is measured entirely on how useful he can be and what beliefs remain from his life at Tokyo Jupiter. In fact, were it not because of his ability to pilot the RahXephon, Ayato would probably be treated as a prisoner of war, to be interrogated, isolated and maligned.

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1001 Frights Episode 21: The Call of Lovecraft

In this week’s episode, Jerry and Bobby do a full episode of Lovecraft short stories!

In this episode, they cover:

The Statement of Randolph Carter

The Colour Out of Space

The Shadow Out of Time

The Call of Cthulhu

Here’s a picture of the issue of Astounding Stories in which “The Shadow Out of Time” debuted! Aren’t Yithians the best?

And as always, you can visit their contact page on their website for details on how to reach them!

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1001 Frights Episode 20: A Return to (Free) Form

In this week’s episode, Jerry and Bobby do something they haven’t done since their earliest episodes, and simply discuss horror stories without any real unifying theme!

In this episode they cover:
They also announce some news concerning the Patreon, and introduce a new segment, “Is It Horror?”
As always, if you want to contact them, you can find easy ways to do so on the contacts page on their website!

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1001 Frights Episode 19: Halloween for Halloween


This week, Jerry and Bobby cover the first four Halloween movies as part of their celebration of this fine holiday (that is now a few days past)!

In this episode, they talk about:

  • Halloween
  • Halloween II
  • Halloween III
  • Halloween IV

And as always if you want to contact them, you can find all the info to do so by going to their contact page on their website! And if you’d like to donate to their patreon, you can do so here!

Also, the book Bobby mentioned was Child of Fire by Harry Connolly

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RahXephon Part 1: The Meaning of Home

This is part of a series of essays on RahXephon. This particular essay covers episodes 1-3. I do not summarize plot on these essays as they are meant to be […]

This is part of a series of essays on RahXephon. This particular essay covers episodes 1-3. I do not summarize plot on these essays as they are meant to be running commentary, meaning that if you are interested in penetrating these rambles and rants, I strongly suggest you watch the show along with the essays.

Most stories are about the meaning of home, if we expand that definition to mean “An emotional place of contentment” as well as “Place of origin”. Most fictional characters are either desperately looking for the earlier and trying to run from the latter. In most cases, these two goals are correlated. That is the particular case of RahXephon, probably one of my very favorite TV shows and my nomination for “Greatest Anime of All Time”. RahXephon follows the story of Ayato Kamina, a young student who dabbles in painting and finds out that the city he calls home (Tokyo) is actually an alien colony as he’s exfiltrated by the resistance fighting from the outside to retake to Tokyo.

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